Sabtu, 15 Agustus 2009

Review: "District 9"



I literally just got home from seeing District 9, the feature debut of South African filmmaker Niell Blomkamp and all I can say is "Wow!"

For those not familiar, District 9 is the story of a group of refugee aliens whose disabled ship comes to rest over Johannesburg in 1981. The aliens are soon transported to a quarantined area which quickly devolves into a slum. The locals hate them (they refer to them derogatorily as "Prawns" because of their resemblance to shellfish) and the idled aliens (most of whom are not very bright) resort to anarchistic behavior in an attempt to entertain themselves. District 9 also houses a rather unpleasant group of Nigerian thugs who swindle the Prawns out of money and weapons for over-priced cat food, and who resort to killing and eating the aliens in an attempt to gain their abilities to operate the aliens' weapons. When the South African government decides to relocate them to an internment camp outside the city, they contract weapons manufacturer NMU to do the dirty work for them. NMU, meanwhile, has been trying to figure out how to make the aliens' weapons work, but are unable to do so because the weapons require Prawn DNA in order to function. NMU appoints schlubby executive (and the boss' son-in-law)Wikus Van De Merwe to head up the evictions.

When Wikus (Africaan actor Sharlto Copley in a stellar performance) is exposed to the fluid that fuels the Prawn technology, it changes his DNA and makes him the first human able to control the weapons and a very valuable (and dangerous) man. Hunted by both NMU and the Nigerian toughs, Wikus turns to a Prawn named Christopher Johnson for help (much like at Ellis Island, the aliens were given human names upon their internment). Johnson and his son have been working on a way to restore power to the ship, which requires the fluid that has changed Wikus, which is now in the hands of NMU.

Shot with mostly hand-held cameras in a faux documentary style, District 9 is basically a film about how awful human beings can be to not only each other, but other forms of life. Blomkamp, who grew up during South Africa's apartheid era, has made a gritty and at times uncomfortable to watch film, which borrows heavily from other Sci-Fi classics (The Fly; Alien Nation; Aliens) to makes its many points. Produced by Peter Jackson, the film is an expanded remake of Blomkamp's six-minute short Alive in Joburg. It's loaded with some terrific CGI effects (the aliens themselves are most impressive, with lots of independently functioning extremities and surprisingly expressive eyes) and plenty of explosions and gore. The acting is top-notch and the characters, while familiar, are believable and well-developed. Not for the easily upset or queasy-stomached, District 9 is as smart and entertaining as it is grim and misanthropic. I saw it with four friends - two of whom hated it because it was so grim and two of whom loved it as much as I did. Blomkamp is most definitely a director from whom we can expect great things. **** (Four Stars). District 9 is rated R for language, violence and gore. Watch the trailer, below:

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Jumat, 14 Agustus 2009

Rise Up & Shout


Ahh... I bet you forget all about the political activist in me, didn't you?
It's been a while since I posted anything about LGBT rights and Marriage Equality, but that doesn't mean I haven't been thinking about them.
Rise Up & Shout is Marriage Equality organization dedicated to promoting LGBT rights among modern LGBT youth. They sponsor an annual production aimed at showcasing the talents of LGBT youth, in the hope of raising awareness and countering the hate-mongering Right.
Here (via) is their latest video:
As always, I continue to urge you to write; email; Tweet; Facebook Message and IM your local, State and Federal representatives. Let them know that LGBT rights are simply basic Human Rights and remind them that we do not seek special treatment, only equal treatment, as provided by the U.S. Constitution.
"... all men are created equal" should never be taken as less than a universal truth. In a country founded on the principles of equality, we should never even have this debate in the first place. Rise up and shout - it's the only way to be heard.
Back to movies and nonsense, anon.
Prospero

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Kamis, 13 Agustus 2009

Turn That Crap Off!


Just for the record, I usually adore the work of director Julie Taymor. The Lion King was a huge Broadway hit simply because of her inventive use of puppets in bringing Disney's animated musical version of Hamlet to the live stage.
And her films are usually wonderful. Titus, her satirical take on Shakespeare's ridiculous Roman tragedy is simply brilliant and hilarious. Then there's Frida, the biopic of Mexican artist Frida Kahlo, starring Selma Hyack. And the outrageous, Beatles-inspired Across the Universe, a psychadelic story of a musician in the 60's. All of them are visually striking and interesting films.
But, when word came out late last year that Taymor and U2's Bono and The Edge were collaborating on a stage musical based on the Marvel Comics superstar superhero Spider-Man, I could barely contain my instant hatred of the idea. To date, there have only really been two successful comics-inspired musicals: Annie and L'il Abner, both of which are just atrocious. There was also a terrible Superman musical, It's a Bird.. It's a Plane... It's Superman, which was adapted by ABC into an atrocious TV movie in 1975., starring Leslie Ann Warren as Lois Lane.
Anyway, the Broadway version of Spider-Man (Entitled Spider-Man: Turn Off the Dark) was supposed to star Universe star Rachel Evan Wood as Mary Jane and Titus/X2 star Alan Cumming as the Green Goblin. It was reportedly budgeted at... are you ready?... Really?... Because it's just ridiculous... $45 Million! Yes, you read that correctly. Forty-five million U.S. Dollars. That meant that the show would have to sell every seat in the Hilton Theatre for five years, just to break even!
Now sadly, in recent years Broadway has fallen into a Hollywood trap (I blame The Phantom of the Opera and Taymor's Lion King) of over-bloated spectacles in the likes of Mary Poppins, Wicked and Chitty-Chitty Bang-Bang.
Upon news of this ridiculous idea, I immediately went insane. I mean, honestly, what the frig were all parties involved thinking? There was no way in hell that this was a good idea. And apparently, the backers think so too. According to both Variety and the New York Post, production has been halted on the extravaganza due to lack of funding. And all I can say is "Thank goodness common sense has prevailed."
Maybe now Taymor can concentrate on her film adaptation of Shakespeare's The Tempest, which I hope you are all wise enough to know is the play which inspired both my signature and this blog's title.
More, anon.
Prospero

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Rabu, 12 Agustus 2009

Holy Sh*t!


This poster for the upcoming Apocalyptic thriller Legion has been around for a month or so. I hadn't heard much about it, and thought it sounded an awful lot like the 1995 Christopher Walken movie, The Prophecy, so I pretty much ignored it.

Now, just so you understand, this time of year, my day job is very slow and I have lots of time to surf the web. While visiting one of my favorite horror sites, ShockTillYouDrop, today, I came across the red-band trailer for the movie and had to watch it at least twice more.

Not only does it star the pictured Paul Bettany (Ironman; The Davinci Code) as the Archangel Michael, it features the still so hot Dennis Quaid; my secret crush Jon Tenney ("The Closer"); sexy red-headed siren Kate Walsh ("Private Practice" - yes, I can still appreciate a beautiful woman, even if I have no desire to sleep with one); Kevin Durand (the evil Keamy from "Lost") and Hellboy's Doug Jones. And to top it all off, the trailer looks like the movie will be nothing less than bat-shiat insane.

Take a look for yourself (and sorry about the age requirement - I know no children read this blog, but STYD has this thing about age-appropriateness) here.

I mean really, now. Could you ask for more insanity from one trailer? Just imagine what the whole movie must be like. Legion is scheduled to open on January 22nd, 2010. I'll be in line.

More, anon.

Prospero

PS - Stephen brought up an interesting question in a comment on my last posting. What's the best remake you've ever seen? Let me know. You know how I love hearing from you.

P.

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Selasa, 11 Agustus 2009

A Remake I Actually Want to See



Most of you are familiar with the amazing Terry O'Quinn from his role as John Locke on ABC's "Lost." But he first made a name for himself in Joseph Ruben's low-budget 1987 thriller The Stepfather. Co-starring "Charlie's Angels" alum Shelley Hack, The Stepfather is a grim tale about a serial killer who ingratiates himself into the lives of a widower and her children, only to reveal his true nature after it is far too late.
This October sees the inevitable remake, starring Penn Badgley ("Gossip Girl") and Dylan Walsh ("Nip/Tuck") in the role originated by O'Quinn. If you are a regular, you know of my general disdain for movie remakes. But thanks to JA over at MyNewPlaidPants, I got a look at the official trailer and have to admit, it looks as good, if not better, than the original.
The movie also stars a couple of other other TV hotties, "Oz" and "Law and Order: SVU" hunk Christopher Meloni and Kyra Sedgewick's "The Closer" co-star, Jon Tenney. In the remake, first Dad (Tenney) is still alive, and Stepdad Walsh seems slightly more psychotic. The always amazing Sela Ward ("Sisters") plays the unsuspecting mom and "ER" alum Sherry Stringfield is also along for what looks like a suspenseful ride.
Here's the trailer; judge for yourself:



While it may not be on my "Must See" list, the remake of The Stepfather will certainly be on my "Must Rent" list.
More, anon.
Prospero

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Senin, 10 Agustus 2009

Confessions of a Steampunk Nerd



If you have been following from the beginning, you will undoubtedly know of my affection for Steampunk aesthetics. I started this blog last fall, and posted an on-going commentary about my production of Thorton Wilder's The Skin of Our Teeth, which I imagined as a Steampunk odyssey through time. Wilder, probably best known for the groundbreaking play Our Town, broke theatrical conventions over and over; something I hoped to emulate in my production.


I suppose my fascination with the Steampunk movement really begins before the movement itself, with the "Father of Science Fiction," Jules Verne. In fact, many Steampunk aficionados refer to themselves as "Vernian." Verne foresaw nuclear submarines, calculators, glass skyscrapers, space travel and the Internet, among other scientific advances. His novels Journey to the Center of the Earth; 20,000 Leagues Under the Sea and Mysterious Island were all later adapted into films which figured prominently in my youth, no doubt inspiring my love of Victoriana and the fantastic.



So, what does any of this have to do with anything? Only my desire to have the time and means to attend Seattle's SteamCon in October (though I will likely be in Chicago on a business trip).
SteamCon is to Steampunks as ComicCon is to modern Sci-Fi fanboys; a phantasmagoria of all things Steampunk. And how I wish I could attend.
Call me a nerd, geek or weirdo. I don't care. I just want to be there. I already have a costume and a raygun I made myself. Maybe I'll be able to teleport myself to Seattle. Or not. I hear it rains there, a lot.
More, anon.
Prospero

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Minggu, 09 Agustus 2009

Let's Try This Again


I tried this post last night, but something froze my computer and I lost what I had written. I don't know if that was exactly tragic, but it pissed me off to no end.

Anyway, the trailer for Terry Gilliam's latest film The Imaginarium of Doctor Parnassus is finally on line. The visuals are astounding and while I'm still not sold on the premise, I like what I see. I've been a Gilliam fan since his Python days, and even love his most reviled film, Tideland. While many saw it as an exploitative treatise on pedophilia and child-neglect, I saw it as the triumph of a child's imagination in the face of indescribable hardship. Tideland features a remarkable performance from young Jodelle Ferland (Silent Hill and the upcoming Case 39) as well as terrific supporting roles featuring Janet McTeer, Brendan Fletcher, Jeff Bridges and Jennifer Tilly.

Still, even a genius has an occasional brain-fart. Case-in-point: the unremarkable and studio-tampered The Brothers Grimm.

But, all that aside, the trailer for Parnassus looks like a typical Gilliam visual treat. Enjoy:

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@ Yahoo! Video


Of course, we all know about the tragic death of Heath Ledger, but his role was fluid enough to allow Gilliam to replace him with three of his contemporaries: Johnny Depp, Jude Law and Colin Farrell; three hotties that make the girls and boys all hot and bothered. I, for one, can't wait to see this movie.

More, anon.

Prospero

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