Bat News

So, here's some news all you movie geeks already know: Anne Hathaway and Tom Hardy have officially been announced as the villains in Christopher Nolan's third and final entry in Warner's Batman franchise, The Dark Knight Rises. Hathaway has been cast as Catwoman (or at least, Selina Kyle) and Hardy as Bane (via).

These are two actors I like a lot. Hathaway is always amazing, even in sappy treacle like The Princess Diaries and Hardy is just a sexy bear who could recite the phone book, as long as he has his clothes off at some point. 

Yikes. That sounds awful. Still, Hardy was quite good in Nolan's Inception and I have no doubt he'll be terrific as the hulking Latino villain who actually broke Batman's back in in DC's "Knightfall" series. Not that I am all that familiar with the comics -- I do have Internet access, though and know he's much more important to the storyline than than the idiotic character in Joel Schumaker's reprehensible Batman and Robin.                                                                                 

Now, it seems that lots of folks have problems with this casting, particularly when it comes to Ms Hathaway as Selina Kyle/Catwoman. Michelle Pfieffer was quite an amazing Catwoman in her pleather catsuit and smoky eye makeup. But Hathaway is tall and sexy and will bring her own take on the jewel thief who manages to steal Bruce Wayne's heart. .And since Nolan has proven himself to be quite the genius when it comes to this particular franchise, I have total faith his casting choices. If anyone can turn Hathaway into Catwoman, it's Nolan. And I, for one, can't wait to see a bulked-up Hardy flexing and strutting his way through Gotham City.

Of course,Catwoman has been played by more actresses than any other female character in the franchise, starting with Julie Newmar in the campy 1960's TV series, followed by Eartha Kitt; Lee Meriwether; Michelle Pfieffer and (most lamentably) Halle Berry. Bane's only appearance on film was in the aforementioned Batman and Robin, portrayed by the late wrestler Jeep Swenson simply as a grunting minion of Poison Ivy (Uma Thurman). I'm very interested to see how Nolan uses the character in the new movie, especially given his rich history in the DC Universe. 

Nolan has yet to disappoint with this franchise, and I have all faith that his 2012 Birthday Present to me will stand up to his previous Batman movies (though finding a performance like the late Heath Ledger's as The Joker may prove a rather daunting task). Still, I am excited to see where Nolan will take the story next.

More, anon.
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Birthday Review: "Inception"

I'm both exhausted and wound-up from my rather whirlwind Birthday at Coney Island and I wanted to make sure I talked about this movie while it was still relatively fresh in mind, having actually seen it last night.And you should know that I deliberately read only one review and won't read any others until after I have finished posting this. I will try my best to not be spoilery, as I know not all of you have seen it yet. And I will try not to gush too much, because I'm certainly aware that there's an awful lot of gushing about this film, already.

I suppose I should start by saying that I have never really been a Leonardo DiCaprio fan. I think I said before that he appears to finally be aging into his looks. Not that I find him attractive at all, but he is certainly less creepy-looking to me (Haters stop now, aesthetics are purely subjective). Still, no matter what I may think the film's star, I so very much like the film's director and the rest of the film's cast, that I was willing to forgo my DiCap-reversion and am happy to admit that I am not in the least bit sorry that I did.

In Inception, the latest film from Writer/Director Christoper Nolan (The Dark Knight; The Prestige), DiCaprio plays Cobb, an industrial spy who uses a "not strictly-speaking legal" technology to extract information from a person's subconscious by willfully invading their dreams. Cobb is also wanted for a crime which he keeps him from rejoining his children in the U.S. and agrees to one last job working for Japanese mogul Saito (Ken Wattanabe) in exchange for a phone call which will exonerate him, forever. But this time, the client wants an idea implanted in his rival, a process known as "Inception."

Nolan's layered (both literally and figuratively) film explores all sorts of concepts of time and perception, as well as their effects on the unswerving Human Condition. Heady stuff? Perhaps, but not nearly as dense (or "too smart") as I have heard complaints of. Yes, it's complicated, but if you pay attention (and Nolan gives his audience plenty of reason to, right off the bat), it follows its interior logic flawlessly. Like Nolan's previous best film, The Prestige, Inception is a cinematic puzzle whose journey is equally (if not more so) important as the payoff. Think of it as a visual maze, if you will. And Nolan's script, far from exposition-heavy as some critics have said, keeps the action moving forward at exactly the right pace, dispensing relevant information as and when necessary. Wisely starting the movie with the central conceit's technology already in place, Nolan forces the audience into accepting its validity, whether they want to, or not. The premise works because he says so, and we're okay with that.

Of course, dream invasion has been the subject of plenty of films in the past. 1984 saw both the Dennis Quaid vehicle Dreamscape and Wes Craven's original A Nightmare on Elm Street. And there are plenty of famous dream sequences (and even dream movies) throughout film history. So what sets Nolan's film apart? Well, for one thing, he has assembled a cast that is more than up to the demands of the film's intricacies. DiCaprio is fine here as a tortured professional with family (particularly wifely) issues. His determination to be with his children again is the driving factor in taking on this particularly difficult and dangerous assignment, all while he struggles with guilt and doubt of his own. In her best performance since Hard Candy, Ellen Page is the newly recruited "architect," responsible for creating the dreamscape. The always excellent Joseph Gordon-Levitt; Drag Me to Hell's Dileep Rao and hot up-and-coming Brit bear Tom Hardy make up the rest of Cobb's team, each with his or her own specialty. Marion Cotillard is Cobb's disruptive wife Mol, while Tom Berenger (sadly looking every day of his age); Pete Postlethwiate; Lukas Haas and Nolan regulars Michael Caine and He-of-the-Exquisite-Cheekbones-and-Dreamy-Blue-Doe-Eyes, Cillian Murphy, round out the exceptional supporting cast.

As for the much-talked-about visual effects...? They were flawless and indeed, unlike anything you've ever seen before. And, I am delighted to report, NOT in GD 3D! The trailers are merely the tip of the iceberg. My companions and I saw it on a regular AMC large screen, and it was still astonishing. Nolan, Cinematographer Wally Pfister and Production Designer Guy Dyas have constructed a labyrinthine world worthy of anything M.C. Escher could have devised, yet strikingly original and just off-setting enough to keep you on your toes.

As with Memento and The Prestige, the audience must pay careful attention to Inception's plot as it unfolds. But also like those aforementioned movies, Nolan's direction grabs and holds your attention from the very first image, to the very last. Hans Zimmer's pounding, pulsating score helps ratchet up the tension most effectively.

Inception is a movie that demands to be seen on a gigantic screen in order to fully appreciate it. Smart; sublime; introspective; philosophical and just down right entertaining, Inception is the single best movie I have seen all summer, if not, all year. **** (Four Stars)

More, anon.
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More New Movies

This is director Christopher Nolan. He's made a couple of little films you might have heard of: Memento; The Prestige (one of my favorite recent films); Batman Begins and The Dark Knight. His next picture, Inception stars an actor of whom I have never been particularly fond, Leonardo DiCaprio. He's always just given me the creeps. I hated Titanic (a titanic snore-fest) and The Beach was just plain stupid. But I must admit he's finally maturing into his looks and the upcoming Martin Scorsese horror movie Shutter Island certainly looks promising.

Inception also stars Joseph Gordon-Levitt; Ellen Page; Marion Cotillard; Micheal Caine; Ken Watanabe; Tom Berenger; Lucas Haas and Drag Me to Hell's Dileep Rao. That's quite an impressive line-up of talent. Of course, working for a director of Nolan's reputation is probably incentive for a lot of terrifically talented folks.

The good folks over at Trailer Addict have just added the teaser trailer for Inception and it looks like another mind-bending psychological thriller from Nolan:

And though I posted it before, here's the trailer for Shutter Island:

Come on. Patricia Clarkson's presence alone makes me want to buy tickets now. Add Ben Kingsley, Max von Sydow, Jackie Earle Haley and Michelle Williams to the mix and I have to see it.

Finally, also from Trailer Addict, comes this very amusing trailer for George Clooney and Ewan McGregor's psychic-soldier comedy with unlikely title, The Men Who Stare at Goats. Actor turned director, Grant Heslov has assembled an amazing supporting cast which includes Kevin Spacey; Jeff Bridges; J.K. Simmons; Robert Patrick and Stephen Root. This one looks like it could have come from the Coen brothers:




Rehearsals for "A View From the Bridge" kick into high gear next week, so I probably won't be posting as regularly as usual, but I'll do my best to keep you informed and entertained. By the way, you can see my most recent headshot at that link, if you are so inclined. I'll leave it to you to figure out which one is yours truly.

More, anon.

Prospero

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