Wildfire & Entrada

Too late to post a proper Zombie Zone post, I thought I'd do dual duty and follow up on a post from a few days ago.

With only one episode of left (boo!) in its first season, AMC's runaway hit "The Walking Dead" offered up a rather reflective episode in "Wildfire." Devastated by the walkers' attack at the end of the last episode, the survivors are left to deal withe aftermath. As Daryl drives a pickax through the heads of every dead body in the camp, Adrea refuses to leave her sister Amy's body and it's discovered that Jim was bitten in the attack.

Rick decides that in order to help Jim, they must head to the CDC for help, reasoning it's probably closer and safer than the military base 100 miles in the opposite direction. Meanwhile, the only person left at the CDC is Jenner, who just lost his last hopeof finding a cure and is plotting his own suicide when our band of weary survivors shows up.

Back at the camp, Andrea places the mermaid necklace she looted around Amy's neck and when her hungry sister resurrects, Andrea apologizes for not protecting her, before blowing her zombified brains out. Glenn has it out with Daryl over which bodies get buried and which get burned. And let's not forget Shane, his leadership and relationship usurped by Rick's return, Shane contemplates killing Rick, but is stopped when Dale (Jeffrey DeMunn of The Mist and The Green Mile) intrudes. Shane ultimately acquiesces and the group is soon headed out to the CDC, sans the Morales family, who head off in search of other surviving family members. Jim begs them leave him to die at the side of road, and after a short debate, they agree to abide by his wishes.

Our band arrives at the CDC, only to find it closed up. Rick, sure it must have been done so from the inside, insists there is help inside, while the others think it must be abandoned and want to leave. When Rick sees a security camera move, he makes an impassioned plea which goes ignored until just as they are about to leave.

I can't wait to see what happens in episode 6, though I must admit to being mightily ticked to have to wait until next fall for the next season.

And speaking of waiting, the writers at Fox's "Fringe" have finally sent the Olivias to their respective homes.

In this week's brilliant episode "Entrada," Peter gets a phone call that tips him off to what's been going on; Olivia convinces Alt-Broyles to help her get home (at the ultimate cost to him) and Walter wisely requests that he not be given a gun.

Personally, I was hoping for a show-down between Olivia and Faux-livia (which we may still get), but was glad to finally have the 'real' Olivia freed from the nightmare that the altverse had become for her. The episode benefited from some amazing performances from the entire cast, and the expert writing by J.J. Abrams and company. If you aren't watching "Fringe," you are missing out on the best TV Sci-Fi series, ever.

Watch these shows!

More, anon,
Prospero

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I Hate Waiting! (or: The Best Shows on TV)

Regular readers know that I think "Fringe" is currently the best show on television. That's not to say there aren't some really great shows on network TV: "Modern Family;" "Community;" "30 Rock;" "Parenthood;" "No Ordinary Family" (which gets better with each passing episode) and of course, AMC's groundbreaking "The Walking Dead" (which was just named "Best New Show on TV" by Entertainment Weekly).

"The Walking Dead," is indeed the Best New Show on TV. Fearless in its production and performances, "The Walking Dead" could have been a shambling, cliched mess. But in the hands of Frank Darabont and  his super-talented cast and crew, it's a compelling story of survival and humanity. Of course, the genre being near and dear to your crazy Uncle P's heart, doesn't hurt it chances. I would probably love it in a different way, if was bad.

So why I think "Fringe" is The Best Show on TV? Let's start with the amazing cast, shall we. This season saw the ensemble, with the exception of Joshua Jackson, giving extraordinary performances as two different versions of the same character. And amazingly, both versions remain victims of the Human Condition, though with different frames of reference in the hands of the astonishing John Noble; Lance Reddick; the criminally under-used Jassica Nicole (who, along with Noble, is the most noticeably different between the two characters) and Anna Torv in a true tour-de-force performance that would be criminal if it was ignored come Emmy nomination time. Then there's writing and the cryptic mythology developed over two and a half seasons (better than the mythology-heavy "The X-Files" and not quite as indecipherable as "Lost"). "Fringe" still has plenty of questions to answer in the future, not the least of which is addressing the little-seen-this-season Observers.

And here's the trailer for this week's Fall Finale episode:

Now, not that I don't love every moment I spend working a show because I most certainly do. There's nowhere I'd rather be, ever. But I usually don't have anything going on this time of year and it means I have to wait to get my weekly fixes. And that just sounds sad and pathetic, doesn't it? Or maybe I'm just tired. Ask me next week, when I'm finally caught up. I'm just a selfish, effing baby!

More, anon.

Prospero

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The Fox Duality Conundrum

I'm at a loss to explain the disparity between the quality of the Fox Network's Entertainment division and the utter failure of the Fox Network's News division.

The Entertainment Division has brilliantly derisive comedy in the form of shows like The Simpsons and Family Guy, smart Sci-Fi like Fringe and progressive musical dramas like Glee; while the Fox News Division has regressive morons like Glen Beck, Sean Hannity and Bill O'Reilly 'reporting' and commenting on current events.

I can only assume that Fox owner Rupert Murdoch is some sort of evil genius like Ernst Blofeld, Auric Goldfinger or Dr. Evil.

Honestly, it makes Uncle P crazier than he already is.

Lord knows I loves me some Family Guy and Fringe (even my mother adores Stewie Griffin), but just the sound of Bill O'Reilly's voice can send me into an almost epileptic fit. Fox News' anti-Obama, anti-gay and anti-progressive diatribes make me want to puke, while their mostly pro-gay, anti-establishment shows like Glee and Fringe make me want to shout "Yes!" every time I see them. Of course, this disparity between the two divisions makes my head want to explode in a dichotomous maelstrom of confusion. And how's that for a sentence that would cause a genius like Bill O'Reilly to run for his dictionary?

I can only imagine that the smarter folks working at the Fox Network hate their jobs, while "brainiacs" like Glen Beck and Greta Van Susteren must wonder how they became household names espousing ideals and principles left over from the 1950's.

I will continue to watch Fox's Entertainment programing, because it's usually quite good. But I will also feel guilty about it because their News programing is so crapulent. What kind of progressive gay man does that make me? I suppose a confused one, at best.

Help me, Anderson Cooper. You're my only hope!

More, anon.
Prospero

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Not Much To Say?

I know. Can you imagine me having a post with such a title? I'm not sure what to say about that, either (obviously).

I've said pretty much all I have to say about Maine on Facebook, though I will take the opportunity to once again to tell the voters of Maine to "Suck it!" There's a newish term being bandied about these days: "Gay Apartheid." We're sure feeling it lately, aren't we? Basically, apartheid means "You're different from most of us, therefore you should not be afforded the same rights and privileges as us and we're going to pass laws to ensure that you never will." We all saw how well that worked in South Africa, didn't we?

But I'm not getting on my high horse, tonight. I've already said I don't have much to say.

Not much happening at the movies, this weekend, either. There is the abysmal-looking (and pretty abysmally-reviewed) The Fourth Kind, starring Milla Jovovich (The Fifth Element; Resident Evil) as an Alaskan psychiatrist investigating what appears to be a rash of alien abductions. Yawn. Alien abduction has never been particularly scary to me, and while I was certainly an X-Files fan, I never understood why aliens would be so interested in anal probing (unless of course, their leader was Richard Simmons wanting to know what it's like to be a top - Oh, now that was just mean. Stop it!).

Then there's Richard (Donnie Darko) Kelly's latest, The Box. Based on a Richard Matheson short-story, The Box is about a young couple (James Marsden and Cameron Diaz) who are in dire financial straits. Along comes a mysterious stranger (a digitally scarred Frank Langella) with an unusual offer. In exchange for pressing the red button in the mysterious box he brings them, they will receive a million dollars. The catch? Someone they don't know will die.

Kelly's last film, the critically drubbed Southland Tales was a highly-anticipated failure that didn't even find an audience on DVD. His first film, the enigmatic Donnie Darko, won both critical acclaim and a devoted cult following (myself among them). It's the movie that shot Jake Gyllenhaal into superstardom and gave the late Patrick Swayze his best role since Ghost.

The Box has gotten less than stellar reviews and I suppose I'll wait until it's On Demand.

On TV, my beloved Fringe was back this week with a story about an alien entity trapped in the body of a comatose Cosmonaut which feeds off the radiation in its victims, leaving them little more than piles of carbon dust. Like the best X-Files stand-alone episodes, it was creepy and fun, though it lacked the intensity of episodes about the series' central conspiracy plot.

Oh, and I almost forgot. there's a new Grizzly Bear video (via):



Well, I guess I had a few things to say, after all. I hope you're having a good weekend. I'm trying to... I think I'll do a little Christmas shopping tomorrow. What are your plans?

More, anon.
Prospero

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Get Ready to Set Your DVRs

The new fall season is almost upon us. My most-anticipated return to the airwaves? Why Fox's "Fringe," of course.

In the 90's there was "The X-Files" (and a fine program it was - I had standing appointment with several friends each Sunday night). It was terrific episodic TV with plenty of stand-alone episodes to almost qualify as an anthology show with recurring characters. It was also probably the first regular TV series to exploit the Internet and create such an exceptionally elaborate and arcane mythology.

Now, wunderkind J.J. Abrams ("Lost;" Star Trek), has reinvented the formula with enough lunatic logic to take it to another level. As with "X-Files," a specialized FBI division is sent to investigate weird and extraordinary events, all tied to something referred to enigmatically as The Pattern. What makes "Fringe" so good is not just the writing, but the exceptionally talented ensemble cast led by the astonishing John Noble having the time of his life playing literally mad scientist Dr. Walter Bishop. Anna Torv; Joshua Jackson; Lance Reddick; Blair Brown and simply adorable Jasika Nicole round out the ensemble. No less than Leonard Nimoy has a recurring role as the mysterious Dr. William Bell.

The first season ended with the revelation that SPOILER ALERT there is not only a parallel Universe, but that Walter's son Peter (Jackson) is not the Peter from this Universe.

I cannot wait to see what Abrams and company have in store for Season 2. Here's the teaser:

On a side note - I don't understand why a network that has some of the most creative, talented and left-leaning people in the business working in their Entertainment Division, also has the most lop-sided, right-wing crackpot news in the history of television. Can anyone explain this?

OK - In other TV news...

Since I already awarded a Man of the Week (which henceforth shall be known as Person of the Week) to Brad, David Letterman comes in as a close-second. Via Towleroad comes this clip from a recent interview with Donald Trump:

Love ya, Dave!

More, anon

Prospero

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